top of page

Irina Salmina/ Summer Issue

Irina Salmina, born in 1984, is a multidisciplinary artist based in Tbilisi, Georgia. With a background in Information Technology, she transitioned from Network Engineering to ceramics, opening her own studio in 2017. Irina’s works have been showcased internationally, including at JCAC in Tunisia (2019), the International Cluj Ceramics Biennale in Romania (2019), the Martinson Award in Latvia (2021), and Homo Faber Venice, Italy (2022).

Her artistic journey has expanded to include natural stone sculptures and conceptual photography, exploring the emotions behind her works. Irina’s artistic process is deeply intuitive, focusing on exploring the subconscious and reflecting on the interplay between the visible and invisible, the physical and the spiritual. Through shapes, patterns, and symbols, she delves into the mysteries of the inner and outer worlds, making her practice a profound philosophical exploration.

Since 2019, Irina has been organizing workshops on intuitive sculpting in clay, where the main idea is not to teach technique but to give freedom of expression by changing perception and stimulating creativity. She is exploring the act of playing as the most liberating form of creativity, appreciating the process over the result. Irina Salmina's work is an adventure beyond the known, offering viewers a  glimpse into the depths of human experience.




I am interested in exploring the potential of expanding the boundaries of what is possible, with curiosity serving as the fuel for my creative journey. I believe in embracing full freedom of creation, embarking on adventures, and being open to new discoveries. Each "treasure" I uncover in my journey opens the doorway to another, making the entire creative process a spontaneous experiment or expanding game, where I continuously learn to play better.

Working intuitively, I allow my subconscious to play an unexplored, mysterious role in dialogue with the material. I am drawn to natural shapes that exhibit fluidity, striving to make them look alive by infusing them with a sense of movement. The careful work on details and textures is a crucial part of my process, aimed at creating a visual experience that invites deep contemplation.

By deciphering the creative process, I gain a better understanding of myself and the world around me. For me, artistic practice is an adventure beyond the known that shapes both my work and myself.

Commentaires


bottom of page