Sacred Geometry exists at the intersection of art, mathematics, philosophy, and spirituality. It is both ancient and contemporary, rational and intuitive—a visual language that has travelled across civilizations, belief systems, and epochs, continuously re-emerging in new forms. In Collect Art Magazine, Special Edition Volume 95, we dedicate this issue to Sacred Geometry as a living artistic practice: one that investigates structure, harmony, and the invisible systems that sh

Josh Rendell is a local artist with a passion for nature, often seen walking through the countryside admiring the birds and animals on their travels. They have chosen photography as a medium due to its ease of accessibility; there are numerous creative options and different tools to experiment with. Photography is a great way of communicating creative visions with a technical mind.

Sam Scoggins is a multidisciplinary artist whose career spans fine art, photography, film, education, design, and technology. Born in 1958 in Brampton, Ontario, Canada, he has followed a diverse professional path shaped by both creative and academic pursuits. Scoggins began his formal art education with a Foundation Course at Filton Art College in Bristol in 1977, before earning a BA (Hons) in Photography, Film & TV from the London College of Printing (1977–1980). He went on

Alice Lenkiewicz is an artist working across visual media whose practice includes a series of geometric digital artworks exploring structure, rhythm, and symbolic form. These works developed from an interest in geometry as a visual language—one that reflects natural order, spiritual archetypes, and the underlying patterns that shape human experience. Working digitally enabled her to experiment with precision, symmetry, and repetition, while maintaining an intuitive rather tha

Eleni is an interdisciplinary artist and university student studying informatics in Greece. She has several years of training in traditional techniques, primarily still life, and has recently begun producing original conceptual works. Her practice spans diverse media, including pencil, charcoal, gouache, watercolor, and acrylics, and embraces multiple approaches, from personal and expressive pieces inspired by nature, such as landscapes and wildlife studies, to contemporary w

Julija Töllikkö is a self-taught artist specializing in sacred geometry, based in Lahti, Finland. Her artistic practice is grounded in mixed-media methodologies and informed by both ancient symbolic systems and contemporary visual culture. She regularly exhibits at international venues across Europe, actively engaging with contemporary artistic discourse and cultural exchange. Through precise form, proportional systems, and material exploration, she investigates the universal

Shell Dunkling is a UK-based artist whose practice focusses no detailed hand-drawn geometric drawings made with ink and marker on paper. She works with traditional drawing tools, including compass, pencil, ruler, and fine liners, constructing each piece through slow, methodical repetition. Her drawings are developed over long periods of time, with an emphasis on accuracy, consistency, and sustained concentration. Shell's working process is intentionally manual and analogue. Sh

Ann Bates has been working with clay for over 25 years, hand-building vessels and sculptural forms. Her pieces are inspired by natural and manmade geological formations, with particular reference to Neolithic standing stones and their carved decorations and symbolic markings. She is especially intrigued by the spiral as both a natural form of growth and a symbol of everlasting life. This interest is reflected in her exploration of how the spiral appears throughout nature—from

Dana Mihulková is a Czech lacemaker, bobbin lace pattern designer, and experienced teacher certified by the German Lace Association. She has been creating lace for more than 40 years, steadily refining her skills and deepening her understanding of traditional as well as contemporary techniques. Over the decades, she has taken part in numerous exhibitions, competitions, and collective artistic projects, where her work has been recognized for both precision and originality. She a

Landscape has long been one of the most enduring subjects in art, yet it remains anything but static. In Collect Art Magazine, Special Edition Volume 94, we turn our attention to landscape painting not as a fixed genre, but as a living, evolving field—one that continues to absorb personal memories, political tensions, environmental concerns, and emotional resonances. The artists featured in this edition approach landscape as both place and metaphor, terrain and testimony. Thi

Melat Amha Belay Sahlu creates realistic and abstract mixed media artworks with pencil, oil pastel crayon, paper, photography, and editing software. She is most excited when gleaning the continuity of shapes across the natural world — from the microscopic to vast landscapes. A lifelong audio artist, Melat began exploring visual expression during a playful watercolor session in the summer of 2023. Since then, she has lost and found herself in days-long meditations with this pr

James Goodchild is a photographic artist, researcher, and educator whose work centres on the philosophical implications of photography as a medium for experiencing and interpreting landscape. Within his practice, photography is used not merely as a form of representation, but as a metaphorical lens through which ontological questions of presence and perception are explored. His work invites viewers to engage with landscapes in a deeply personal way, encouraging a reflexive re

Lewis’s work acts as a conduit between art and science. The supply of information from science fuels the production of visual material, which communicates the knowledge of a scientific endeavour. In short, Lewis’s work focuses on dealing with complex thoughts, ideas and facts within nature and science. Some explore those in which we seem to be overshadowed and overpowered in comparison by the vast distances, size or quantities. Others investigate moments of extreme power, cre

Hüseyin Gün was born in Ankara, Turkey, in 1987. After graduating from high school in 2006, he earned a degree in Electronics and Communication Engineering from Kocaeli University in 2010, followed by a degree in Economics from Anadolu University in 2016. He is currently continuing his studies in the Department of Camerawork and Photography at Anadolu University. Since 2006, he has worked professionally in the field of photography, focusing on visual storytelling, documentary

Ziyu Wei is a visual artist and photographic creator based between London and Shanghai. Her practice centers on photography and cross-media experimentation, exploring themes such as personal identity, urban transformation, and cultural shifts in contemporary society. Drawing on her academic background in Sociology, Politics, and Performance & Interaction Design from University College London (UCL), her work often combines photography, moving image, and interactive installatio

Jiayi Gu was born in China and currently lives and works in London. Her practice revolves around image-making, extending across photography, installation, and the book form. Through these mediums, she explores the subtle dialogue between nature, humanity, and temporality. Gu’s work often begins with quiet observation—the stillness of a landscape, the trace of an object, or a fleeting encounter in the city. These moments become fragments of perception, reconfigured through ima

GORAN TOMIC is a Collisionist Autodidactic Artist from Sydney, Australia, who has exhibited his Collages, Video Installations, and Performance art over the past 25 years. Raised on Rauschenberg and born posthumously, he flaner’s the urban decay searching for his Wilderness Robe.

Jan Wurm is an artist, educator, and curator engaged in expanding the community forum for contemporary art dialogue. Having lived in California, where she received a B.A. from the University of California, Los Angeles, and Europe, where she received an M.A.R.C.A. from the Royal College of Art in London, Jan Wurm has honed an eye for social patterns and conventions. She currently divides her time between Berkeley and L.A. and her hand between drawing and painting.